Stage
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Review: “The School for Lies” at Shakespeare Theatre
The School For Lies is a rom-com for wordsmiths and wig lovers
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Review: “Perfect Arrangement” at Source Theatre
"Perfect Arrangement" returns to the Source Festival in a colorful, well-realized new production
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Topher Payne: Trump isn’t targeting LGBTQ people but “sweeping us aside”
"Perfect Arrangement" returns for an encore run at the Source Theatre Festival
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Hir Story: Malic White on explosive dramedy “Hir,” gender identity and inclusive theater
When Malic White heard Woolly Mammoth was producing Hir, they absolutely had to be in it
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Review: Avant Bard’s “King Lear”
"King Lear" may be small in budget, but it's big in vision and has a grimly authentic lead in Rick Foucheux
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Mosaic Theater Company’s Ulysses On Bottles
Mosaic presents the 2017 Voices From a Changing Middle East Festival
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Avant Bard’s “King Lear” with Rick Foucheux
Foucheux will retire after starring as Shakespeare’s most troubled patriarch
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The School For Lies
An update of the aristocratic, ruthless French satire Le Misanthrope
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Antoinette Robinson on Trump, DC theater and taking on Timon
In the Folger's production of Timon of Athens, Antoinette Robinson portrays a character generally portrayed by a man
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Review: “Hir” at Woolly Mammoth
Taylor Mac's Hir is an important treatment of gender identity, but it sometimes lacks nuance
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Noises Off at Everyman Theatre
British farce brings wall-to-wall wackiness and carefully choreographed hijinks
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The African-American Collective Theater celebrates its silver anniversary
ACT celebrates with a special Black Pride Weekend event on Sunday.
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Christ Almighty: Jesus Christ Superstar (Review)
Signature's high-spirited production of Jesus Christ Superstar gives glorious life to an enduring score
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Egged On: ‘Five Lesbians Eating a Quiche’
In Monumental Theatre's new comedy, five women form a bond with quiche
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Diva Central: ‘Master Class’ is an ‘engaging treat’ (review)
Ilona Dulaski creates a memorably feisty Maria Callas in "Master Class"
