Stage
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Spanish Revolution: “In the Heights” at GALA Theatre
Luis Salgado takes charge of GALA's revolutionary Spanish language version of In the Heights
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Review: National Theatre’s “Fun Home” is warm and wonderful
Fun Home hits deep with a tender score and a smart, sincere coming out story
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Olney’s “The Magic Play” (Review): Slick entertainment and heartfelt storytelling
Actor-magician Brett Schneider conjures spellbinding drama and spontaneous thrills
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Ford’s “Ragtime” is almost “shockingly relevant” to what’s going on in America
Police brutality, women's rights and immigration all feature in the musical
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Pointless Theatre’s “d0t:: a RotoPlastic Ballet” is a “robot puppet spectacle”
It addresses the struggles of assimilation and obsoletion within a changing power system
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Arena’s “A Raisin in the Sun”: Five Stars (Review)
A Raisin in the Sun endures as a timeless jewel, and Arena’s production is a chance to see it truly shine
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Brighton Beach Memoirs opens April 8 at Theater J
Adam Immerwahr calls it a worthy introduction to American theater for young theatergoers
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Chicago’s Fire: Brandy talks Roxie at the Kennedy Center
Playing Roxie Hart in Chicago has given Brandy a new outlook on her career
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Color Blind: Blood Knot at Mosaic Theater (Review)
Mosaic's take on a landmark play produces moments of brilliance amid stretches of colorless dramatics
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Living Just Enough: Pike St. at Woolly Mammoth (Review)
Nilaja Sun gives a virtuoso performance that brings a powerful story to vivid life.
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“Midwestern Gothic” at Signature Theatre (Review): Tempts and teases, but only partly delivers
A crime, weed, and showtune-laced trip to Coen Brothers country that's not as fun or far-out as it should be
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“Midwestern Gothic” is a new, darkly funny musical thriller at Signature Theatre
It's "Fargo meets Misery" and promises to provoke, shock and entertain in equal measure
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The Night Alive at Atlas Performing Arts Center
The latest work by Irish playwright Conor McPherson
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Other People: Michael John LaChiusa on Republicans, aging and “Los Otros”
Michael John LaChiusa on feeling invisible in the gay community and the timeliness of "Los Otros"
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Ford’s Theatre’s “Ragtime” (Review): Part musical, part melodrama, all crowd-pleaser
"Ragtime" charts a safe journey through tumultuous American history
