Stage
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Royal Pain: King Charles III at The Shakespeare Theatre (Review)
Mike Bartlett's King Charles III is one regal encounter you won't want to miss
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Interview: Director Jackie Maxwell of “Watch on the Rhine”
Jackie Maxwell is fully aware of the contemporary parallels evoked by Lillian Hellman's "Rhine"
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Now at Constellation: Peter and The Starcatcher
Kathryn Chase Bryer directs a Rick Elice’s prequel to Peter Pan, complete with swordfights, shipwrecks and mermaids, but also clever wordplay, daring ensemble movement and...
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Perspectives: An interview with Mexican actress Julieta Egurrola
Mexican actress Julieta Egurrola is only scared of one thing in D.C. -- and it's not Trump
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Fighting Tyrants: Watch on the Rhine at Arena Stage (Review)
Arena's Watch on the Rhine struggles to master Lillian Hellman's challenging structure
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Storm Troopers: Baby Screams Miracle at Woolly Mammoth (Review)
Woolly Mammoth's atmospheric production of Clare Barron's stark examination of faith yields less than blessed results
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Close Shaves: Sweeney Todd at Olney Theatre (Review)
Olney's exceptional Sweeney Todd features an inspired cast led by the magnificent E. Faye Butler
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Michael Kahn to Retire from Shakespeare Theatre
Artistic Director helped raise Washington's profile as a theater powerhouse
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Walnut Street Theatre’s “Last of the Red Hot Lovers”
A one-night-only performance of a 50-year-old Neil Simon comedy
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Morgan Gould: Until Trump is defeated “I cling to my gay friends”
In "I Wanna Fucking Tear You Apart," playwright Morgan Gould spotlights the bond between a gay man and an overweight woman
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Folger Theatre’s “As You Like It”: A charmingly energetic soul-pleaser
"As You Like It" is a charmingly energetic soul-pleaser paired with the Folger's special brand of intimacy
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Round House’s “Caroline, Or Change” (review): Caroline is brought vividly to life by Nova Y. Payton
Round House's bittersweet "Caroline, Or Change" is beautifully sung and acted
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“I Wanna Fucking Tear You Apart” at Studio Theatre (review): Accerbically funny and potent
Writer-director Morgan Gould cuts deep with this edgy, funny, foul-mouthed tale of friendship.
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Mack, Beth: The Shark Bites (review)
The Keegan's world-premiere "Mack, Beth" struts and frets, missing the mark
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Caroline, Or Change at Round House Theatre
It's the largest musical in the theater's history
