Stage
-
Washington Improv Theater’s Seasonal Disorder
Washington Improv Theater's annual holiday extravaganza features shows based on audience suggestions
-
An Irish Carol: Keegan Theatre’s ode to Dickens
Keegan Theatre offers company member Matthew Keenan's homage to Dickens
-
Craig Wallace on “A Christmas Carol” and being Scrooge in a time of Trump
If only Donald Trump and his minions were to see A Christmas Carol, it might do a world of good. “The thing that I think...
-
Fiasco Theater’s “Into the Woods” (review): A journey worth taking
An unfussy, unpretentious, minimalist approach, Fiasco's Into The Woods is a journey well-worth taking
-
“Moby Dick” at Arena Stage (review): Catch a ride on this bewitching Pequod
Visually and aurally enchanting, this is storytelling as magical dream. You've never seen Melville quite like this.
-
Spotlight on The Second Shepherd’s Play
Folger's add interludes of music and song from the period to enhance this holiday treat
-
Spotlight on: The DOMA Diaries
The Rainbow Theatre Project offers a staged reading of Kevin Michael West’s Capital Fringe hit
-
WSC Avant Bard present Tame.
Adaptation of Taming of the Shrew is boldly modern
-
Silver Belles at Signature Theatre
A starry show billed as Golden Girls meets Designing Women
-
Shakespeare Theatre’s “The Secret Garden” (review): A Broken Secret
Shakespeare Theatre offers an uneven revival of The Secret Garden, which is still unequivocally Daisy Eagan's show
-
Theatrical Greetings: DC Holiday Theater Roundup
D.C. area theaters have taken holiday themes and tweaked them to bring even more joy to the world
-
“Once” returns to DC at The National Theatre
The spirit-boosting musical Once returns to D.C.
-
Unmerry-Go-Round: Carousel at Arena Stage (review)
Arena Stage pulls out the stops to keep Carousel turning, but a complicated tale occasionally slows it down
-
Review: Straight White Men at Studio Theatre
Straight White Men is a timely, accessible examination of expectation and privilege
-
A View from the Bridge at the Kennedy Center
Thomas Jay Ryan feels Arthur Miller’s A View From the Bridge speaks to the fear of “the other”
