Stage
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Phantom’s Menace
Why Phantom of the Opera's Chris Mann is pissed at the Washington Post
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Kirsten Wyatt on Tammy Faye Bakker and “Born For This”
Kirsten Wyatt plays late pro-gay televangelist Tammy Faye in Arena's Born For This
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Trumped Up: Mike Daisey’s “The Trump Card”
Mike Daisey attempts to explain the unexpected, confusing rise of Donald Trump in his latest monologue at Woolly Mammoth Theatre
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Jim J. Bullock was playing gay on TV long before networks acknowledged it
On coming out: "I hid it for so long, it just got tiring"
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Redistricting: District Merchants (review)
Folger's clever take on "Merchant of Venice" contemplates race, religion and reality without the preacher
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Color Coded: An Octoroon (review)
"An Octoroon" is a brave, chaotic, wonderfully-acted play, but it lacks intellectual cogency
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Taming of the Shrew (review): Bold experiment, deeply flawed
Boasting an all-male cast, Shakespeare Theatre's "Taming of the Shrew" is an intriguing experiment that doesn't work
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Stuffed: Geoff Sobelle’s “The Object Lesson”
Geoff Sobelle's one-man show at Studio Theatre is an immersive adventure in unpacking
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Staging Diversity: When January Feels Like Summer
Mosaic Theater offers a romantic comedy with minority and LGBT characters
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Shakespeare, Constellation and GALA clean up at the Helen Hayes
Salome, Avenue Q and Yerma are the evening's biggest winning shows
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Monkey Business: Journey to the West (review)
Constellation Theatre's "Journey to the West" fails to be about the destination
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OMG! Hamilton is coming to the Kennedy Center!
Tony-nominee Hamilton's national tour slated for the 2017-2018 season.
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Disgraced at Arena Stage (review)
Disgraced raises, but doesn't quite embrace, some of the increasingly vital questions of our time
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Reduced Shakespeare (review)
Reduced Shakespeare offers a mild, blunt, family-friendly play
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Star Vehicle: 110 in the Shade (review)
A star vehicle for Tracy Lynn Olivera, Ford's 110 in the Shade is is quaint, predictable, old-fashioned and outdated.
