Stage
-
Marg Helgenberger on The Little Foxes, CSI, and “vile” Donald Trump
Marg Helgenberger talks about playing one of theater's legendary villains, shedding TV typecasting, and why Donald Trump needs to be stopped
-
Kiss at Woolly Mammoth (review)
Guillermo Calderon turns Syria from ubiquitous headline into something more urgent and human
-
“The Year of Magical Thinking” at Arena Stage (review)
"The Year of Magical Thinking" is wholly, engagingly real
-
Staceyann Chin’s “Motherstruck” is funny, heartbreaking and joyful
Staceyann Chin's quest to become a mother is recounted in her deeply personal, engaging one-woman show.
-
Synetic’s “Dante’s Inferno” (review): The perfect antidote to Halloween pap
Dante's Inferno tells Dante's story told through dance, mime and extraordinary atmospherics
-
The Gulf’s stormy lesbian relationship touches universal themes
Playwright Audrey Cefaly is making waves with powerful debut "The Gulf" at Signature Theatre
-
“Angels in America: Perestroika” at Round House (review)
Perestroika is a dazzling conclusion to Tony Kushner's epic Angels in America
-
“The Little Foxes” at Arena Stage (review)
The Little Foxes is an evening's worth of fine, old-fashioned entertainment
-
Puppy Love: Romeo and Juliet at Shakespeare Theatre (review)
The Shakespeare Theatre's "Romeo and Juliet" is more high school field trip than grown-up fare
-
“Cloud 9” at Studio Theatre (review): More timely now than ever before
In Cloud 9, Caryl Churchill toys with gender, class, and time to spectacular effect
-
Jen Silverman’s “Collective Rage: A Play in Five Boops” (review)
Collective Rage is just plain boring
-
“Urinetown” at Constellation Theatre (review)
Urinetown makes the bathroom a trip to remember
-
“Angels in America” at Round House (review)
"Angels in America" remains one of the great masterpieces of our time
-
“Sense and Sensibility” at Folger (review): It doesn’t get much better
Sense and Sensibility's intelligent silliness will create theatergoers for life
-
Theater Reviews: “Come From Away” and “The Last Schwartz”
The musical Come From Away tells the story of a Canadian town that opened its doors to thousands of stranded visitors
