Stage
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Much Ado About Nothing at Synetic (Review)
Another in Synetic Theater’s Silent Shakespeare series, the dance-musical interpretation of Much Ado About Nothing is a clever, outside-the-box extravaganza. A pastiche of 1950s musical...
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Great Scot
Kate Eastwood Norris amps up the rage in Folger's "Mary Stuart"
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King of Pain: King Hedley II (Review)
King Hedley II is a ruthlessly honest examination of the profound costs of prejudice
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Collaborative Arts
Atlas's Intersections Festival returns for more cross-cultural mixing
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Revivals and Reunions
Bernadine Mitchell turns "Bessie's Blues" into a powerhouse evening, while Round House takes a feminist point of view
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MacSequel: Dunsinane (Review)
A contemplation on Macbeth, David Greig's Dunsinane offers reflection on modern global conflicts
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Musical-Making Couple: Turn of the Screw
Matt Conner and Stephen Gregory Smith bring "Turn of the Screw" to musical life
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Metro Accessible
An adaptation built for a new century with laughs that will last
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Widow’s Pique: The Widow Lincoln
Ford's Theatre sheds light on the controversial Mary Todd Lincoln
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Editor’s Pick: The Turn of the Screw
As the first installment in its five-year Bold New Works for Intimate Stages Initiative, Virginia’s Creative Cauldron commissioned The Turn of the Screw, a musical...
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Theater Queens
"Gigi" at the Kennedy Center is no match for the queens in Folger Theatre's "Mary Stuart"
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Comedy’s Afoot at Arena Stage: Baskerville (Review)
Ken Ludwig's latest comic nod to Sherlock Holmes barks up the right tree
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Praiseworthy: Choir Boy (Review)
If only we could all be a little more like Pharus Jonathan Young, the lead character in Tarell McCraney’s Choir Boy, now in production at...
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Famished: Diner, the Musical (Review)
Signature Theatre's "Diner" doesn't fulfill needs
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Magic to Do: Pippin and Joseph and the Amazing Technicolor Dreamcoat (Reviews)
A Cirque-inspired Pippin at the National and a shopworn Joseph at the KenCen
