Stage
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Willa’s Way
Prudence Wright Holmes pays tribute to LGBT icon Willa Cather
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Possible Dream: Anthony Warlow takes on Don Quixote at The Shakespeare
Opera singer Anthony Warlow portrays the "King Lear of music theater" in Man of La Mancha
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Review: “Lights Rise on Grace” at Woolly Mammoth
Dueling protagonists nearly cancel each other out in Woolly's latest production
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Gay-themed plays win big at the 31st Annual Helen Hayes Awards
Studio Theatre's same-sex drama takes home Helen Hayes for Outstanding Play.
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Pop Cultured: Taylor Mac
Taylor Mac explores history and community through pop music
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Review: “Man of La Mancha” at Shakespeare Theater Company
Interpreting the musical theater version of Man of La Mancha takes some finesse. Though most know it as the iconic tale of an elderly knight...
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Review: “Freedom’s Song” at Ford’s Theatre
"Freedom's Song" at Ford's Theatre is a don't miss, "only-in-Washington" kind of show
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Review: “Laugh” at Studio Theatre
“I just want to laugh,” playwright Beth Henley has been quoted as saying. That may well be, but her latest work, Laugh, fails to incite...
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Editor’s Pick: Bessie’s Blues at MetroStage
Twenty years ago, Studio Theatre won six Helen Hayes Awards with its production of Bessie’s Blues by Thomas W. Jones II. If you missed its first...
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Editor’s Pick: The Metromanics at The Shakespeare Theatre
A new adaptation of Alexis Piron’s classic 1738 French farce
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Evil Dead: The Musical
The Greenbelt Arts Center offers a production of Evil Dead: The Musical, an off Broadway stage adaptation of Sam Raimi’s cult classic zombie film, featuring book...
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The Richmond Triangle Players thrive in a rapidly changing capital
A gay theater company thrives in the rapidly changing capital
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Signature’s Kid Victory (Review)
Signature Theatre's new musical "Kid Victory" asks too much of its audience
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Much Ado About Nothing at Synetic (Review)
Another in Synetic Theater’s Silent Shakespeare series, the dance-musical interpretation of Much Ado About Nothing is a clever, outside-the-box extravaganza. A pastiche of 1950s musical...
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Great Scot
Kate Eastwood Norris amps up the rage in Folger's "Mary Stuart"
