Stage
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“Evita” and “Driving Miss Daisy” offer audiences a study in contrasts
"Evita" and "Driving Miss Daisy" offer audiences a study in contrasts
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Alexandria’s MetroStage turns 30
Alexandria's MetroStage celebrates three decades of providing powerful experiences
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Arena’s The Shoplifters (Theatre Review)
The Shoplifters gives a woman of a certain age the kind of riveting gravitas almost always written for men
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Woolly Mammoth’s Marie Antoinette (Theatre Review)
Playwright David Adjmi gives us a voyeur's view of Marie Antoinette
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Round House Lodger
"Fool for Love" marks Marty Lodge's 40th Round House Theatre production
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Olney’s “Colossal” is a moving drama about a gay footballer
Olney's "Colossal" is a moving drama about a gay footballer
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Oy, Relationships
Yentl seems a fruitless pursuit while Belleville takes too long to get going
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Points of View: “Sunday in the Park with George” (Review)
Signature Theatre offers a fresh, snazzy production of Sunday in the Park with George
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The Free For All aims to bring Shakespeare to everyone
“It has all the elements of a great night at Shakespeare mashed into one,” Alan Paul says of The Winter’s Tale, whose hard-to-characterize plot incorporates...
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Kennedy Center’s Page-to-Stage Festival promotes and grows local theater
Kennedy Center's Page-to-Stage Festival promotes and grows local theater
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Killing Monsters at Rorschach Theatre
Known for ambitious staging of eccentric, or just plain out-there, fantasy tales, Rorschach Theatre has seemingly done it again with Qui Nguyen’s She Kills Monsters,...
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Final Weekend: The Lion King at the KenCen
Based on the hit animated film, The Lion King is one of the most beloved and successful musicals of all time, and is still going...
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Theatre Washington’s “Summer Hummer” benefits the local theater community
Local actors show support -- and skin -- in annual fundraiser
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Danny Kaye springs to life at American Century Theater
The American Century Theater wraps up its 19th season with Brian Childers reprising his role as legendary stage and screen showman Danny Kaye, which earned him...
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Heavy metal, slit throats: Sweeney Todd goes “prog metal”
Yes, Stephen Sondheim really did give the quirky and risque Landless Theatre Company permission to adapt the score of his most commercially successfully musical as...
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