A decade ago Julianne Brienza saw great untapped potential in D.C.’s strong theater scene. “We have many high-end, expensive theater experiences in the District of...
“Come Look at the Freaks,” goes the grand opening number in the musical Side Show. And it’s quite possible such a exploitative, sensationalistic call might...
Colman Domingo's proud career as actor and budding playwright
Happy Days at Scena Theatre and Cloak and Dagger at Signature Theatre
Separated by time and genre, you wouldn’t expect Noel Coward’s 1930s ever-so-British rom-com Private Lives to have much in common with Peter Sinn Nachtrieb’s The...
Baltimore serves up an LGBT film festival
To use a British colloquialism, Mike Bartlett likes to “cock about” with words and concepts. Last year Studio Theatre presented the provocative playwright’s Contractions, a...
Ordinary Days is the rare musical that ends before you're ready to part with it
Why mess with success, right? Arena Stage touts in a press release that Smokey Joe’s Café, which debuted nearly two decades ago, became Broadway’s longest-running...
Bea Arthur played the role of Lucy Brown in the 1954 off-Broadway production of The Threepenny Opera. “If Bea Arthur could do it, then I figured...
The Studio Theatre presents Cock
The ever-ambitious and ever-adept Constellation Theatre Company once again dares to stage a large-scale classic tale in the intimate Source Theater space. This time around...
Rick Hammerly hisses at Erin Driscoll early in Act 2 of Signature Theatre’s The Threepenny Opera. Yes, the veteran local actor really and truly hisses...
As he started work on HBO’s True Blood,actor Denis O’Hare was instructed that vampires don’t touch each other. “I was like, ‘Oh my God, fuck...
Like 16th century versions of the biopic, Shakespeare’s Richard II, Henry IV (Parts 1 and 2), and Henry V, contemplate fascinating lives through an auteur’s...