''You don't hear as many legitimate conversations about foreign policy in Chicago as you do ,'' says Brooke Breit of Chicago's Second City. You...
Next June, Doug Peck will get married in his hometown of Chicago. ”It’s not legal yet but we’re doing it anyway,” he says. The...
Okay. So, Nellie Forbush is no Cee Lo Green. While both deliver tunes that are incredibly infectious and sure to stay with you for a...
''As the culture is changing,'' says Irwin Keller of the drag a cappella group the Kinsey Sicks, ''we become sort of the daring-but-doable entertainment in...
Despite the valiant attempts being made in some corners, the bright bauble of reality television has eclipsed what was once television's most reliable version of...
When writing his 1995 play Mojo, playwright Jez Butterworth could hardly have suspected that fewer than five years later a certain dentally challenged swinging super...
''Deck the halls with lots of showtunes,'' Donna Migliaccio sings in the opening number of A Broadway Christmas Carol. And that, she does. By the...
The surest way for any theater critic to cover his ass is to say that a certain play or musical ''will mean different things to...
''I'm not the happy elf,'' says Michael Rupert. ''I'm the grouchy elf.'' He's talking about his role in Adventure Theatre's The Happy Elf. ''I play...
On the surface, it might seem Signature Theatre's world premiere comedy Walter Cronkite is Dead and Studio Theatre's production of Tracy Lett's Superior Donuts have...
A semi-hallucinogenic, unapologetically creepy fantasia on the life and unsolved murder of pre-pubescent beauty queen JonBenet Ramsey, House of Gold is a play that withers...
Darius Nichols as Hud, photographed by Todd Franson in the Kennedy Center's Africa Room, Friday, Nov. 5, 2010 Darius Nichols almost passed on auditioning for...
Arena Stage artistic director Molly Smith is hoping there's a little Ado Annie in all of us. Annie is, of course, the gal from the...
A production of Angels In America -- in the mountains of Virginia? ''There's always been a hesitation because the traditional audience is fairly conservative,'' says...
As one contemplates the Washington Shakespeare Company's move from Clark Street to Rosslyn, it's easy to imagine a magical creature emerging from its dark cave...