Stage
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‘Passing Strange’ Review: Growing Pains and Epiphanies
Signature's 'Passing Strange' serves up a satisfying stew of rock concert and musical-comedy led by the soul-stirring Deacon Izzy.
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‘Falsettos’ Review: Family Hour
Rep Stage takes a bow with a poignant production of 'Falsettos,' the landmark musical about a gay dad whose family is in flux.
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‘The School for Lies’ Review: High Comedy
Constellation flexes its farce with "The School for Lies," a brightly funny, briskly-paced rhyming retooling of Molière.
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5 Tony Nominees You May Have Missed
This time around, there are quite a few stars who are now in the running for Tonys – and five of the most surprising are...
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The 2023 Tonys: The Complete List Of Nominees
'Some Like It Hot,' a musical that re-imagines the classic comedy film, dominated the Tonys with impressive an 13 nominations.
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Machine Dazzle Lives Up to His Name in the World of Design
Designer and performer Machine Dazzle shares his singular vision for life, art, and adorning the gods in Opera Lafayette's 'Io.'
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Rep Stage Goes Out On A ‘Falsettos’ Note
'Falsettos' was the first musical Rep Stage produced 29 years ago and now it also serves as its very last.
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‘Jennifer Who is Leaving’ Review: Life on Earth
'Jennifer Who Is Leaving' is a refreshing reminder that not all great theater has to break transgressive ground or shock.
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‘Les Miserables’ Review: Rebel Yell
Impressive singing and stagecraft spark a lit and lively 'Les Miz' at the Kennedy Center.
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Editor’s Pick: ‘Disney’s Aladdin’ at Broadway at the National
'Disney's Aladdin,' flying carpet, opulent costumes and all return to D.C. for a stint at the National Theatre.
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‘On the Far End’ Review: Justice Served
Playwright Mary Kathryn Nagle ably carries 'On the Far End' with a commanding solo performance as Muscogee leader Ella Jean Hill.
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Playwright Mona Mansour on Trauma, Mental Health and Endless Wars
The LGBTQ playwright, whose work is largely centered on situations in the Middle East, returns to Mosaic with 'Unseen.'
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‘Unseen’ Review: Trauma Central
Mosaic's 'Unseen' captures nuances of bearing witness to war and suffering, but its heroine doesn't come fully into focus.
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‘The Nosebleed’ Review: Family Ties
Aya Ogawa's The 'Nosebleed' is intelligent and amusing, but it leaves little space for its more compelling themes.
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‘The Jungle’ Review: Total Immersion
A brilliant concept impeccably executed, 'The Jungle' immerses audiences in the stirring drama of a migrant camp under threat.
