Stage
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‘Sweeney Todd’ Review: Killer Couple
Although a pleasure to watch and listen to, Signature's sinister "Sweeney Todd" doesn't cut all that deep
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‘Good Bones’ Review: Love Thy Neighbor
The cast of Studio’s World Premiere 'Good Bones' keeps tensions simmering in a clash between bougie and blue collar.
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The (Curious) Mind Of Playwright Madeleine George
With "Hurricane Diane," playwright Madeleine George tackles gods, lesbian seduction, and the urgency of climate change.
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“Pose’s” Ryan Jamaal Swain’s Bold Next Act
"Pose" star Ryan Jamaal Swain takes on the toughest role of his young career in Mosaic's harrowing and hilarious "One in Two."
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‘Hurricane Diane’ Review: Suburban Bacchanal
Avant Bard brings Madeleine George’s deviously clever, funny, and ultimately humanity-damning play to uproariously roaring life.
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How to Make a Fascist
Moisés Kaufman probes our need to protect the facts from forces bent on burying history in 'Here There Are Blueberries.'
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Michael Urie Gets Spammed (A Lot)
Michael Urie returns to the Kennedy Center in the insanely funny 'Monty Python's Spamalot,' as the Brave Sir Robin.
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‘Passing Strange’ Review: Growing Pains and Epiphanies
Signature's 'Passing Strange' serves up a satisfying stew of rock concert and musical-comedy led by the soul-stirring Deacon Izzy.
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‘Falsettos’ Review: Family Hour
Rep Stage takes a bow with a poignant production of 'Falsettos,' the landmark musical about a gay dad whose family is in flux.
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‘The School for Lies’ Review: High Comedy
Constellation flexes its farce with "The School for Lies," a brightly funny, briskly-paced rhyming retooling of Molière.
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5 Tony Nominees You May Have Missed
This time around, there are quite a few stars who are now in the running for Tonys – and five of the most surprising are...
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The 2023 Tonys: The Complete List Of Nominees
'Some Like It Hot,' a musical that re-imagines the classic comedy film, dominated the Tonys with impressive an 13 nominations.
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Machine Dazzle Lives Up to His Name in the World of Design
Designer and performer Machine Dazzle shares his singular vision for life, art, and adorning the gods in Opera Lafayette's 'Io.'
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Rep Stage Goes Out On A ‘Falsettos’ Note
'Falsettos' was the first musical Rep Stage produced 29 years ago and now it also serves as its very last.
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‘Jennifer Who is Leaving’ Review: Life on Earth
'Jennifer Who Is Leaving' is a refreshing reminder that not all great theater has to break transgressive ground or shock.
