"Pose" star Ryan Jamaal Swain takes on the toughest role of his young career in Mosaic's harrowing and hilarious "One in Two."
Avant Bard brings Madeleine George’s deviously clever, funny, and ultimately humanity-damning play to uproariously roaring life.
Moisés Kaufman probes our need to protect the facts from forces bent on burying history in 'Here There Are Blueberries.'
Michael Urie returns to the Kennedy Center in the insanely funny 'Monty Python's Spamalot,' as the Brave Sir Robin.
Signature's 'Passing Strange' serves up a satisfying stew of rock concert and musical-comedy led by the soul-stirring Deacon Izzy.
Rep Stage takes a bow with a poignant production of 'Falsettos,' the landmark musical about a gay dad whose family is in flux.
Constellation flexes its farce with "The School for Lies," a brightly funny, briskly-paced rhyming retooling of Molière.
This time around, there are quite a few stars who are now in the running for Tonys – and five of the most surprising are...
'Some Like It Hot,' a musical that re-imagines the classic comedy film, dominated the Tonys with impressive an 13 nominations.
Designer and performer Machine Dazzle shares his singular vision for life, art, and adorning the gods in Opera Lafayette's 'Io.'
'Falsettos' was the first musical Rep Stage produced 29 years ago and now it also serves as its very last.
'Jennifer Who Is Leaving' is a refreshing reminder that not all great theater has to break transgressive ground or shock.
Impressive singing and stagecraft spark a lit and lively 'Les Miz' at the Kennedy Center.
'Disney's Aladdin,' flying carpet, opulent costumes and all return to D.C. for a stint at the National Theatre.
Playwright Mary Kathryn Nagle ably carries 'On the Far End' with a commanding solo performance as Muscogee leader Ella Jean Hill.