All posts by André Hereford
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Matthew Gardiner’s Signature Achievement
Signature's artistic director Matthew Gardiner steers his own "wheel of dreams" as he helms the company's massive 'Ragtime.'
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‘The Winter’s Tale’ at Folger (Review): Jest and Jealousy
The Folger Theatre welcomes audiences back to its home base with an exuberant new 'The Winter’s Tale.'
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‘Napoleon’ Review: French Dip
Armed with spectacular battle scenes and Joaquin Phoenix in the title role, 'Napoleon' still can’t conquer its own tediousness.
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‘The Marvels’ Review: Team Players
'The Marvels' takes off with some turbulence but, fueled by great cast chemistry and MCU world-building, lands gracefully.
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‘Fat Ham’ at Studio Theatre Review: Great Dane
Shakespeare gets his invite to the cookout in "Fat Ham," a saucy gay, Black riff on the Bard's melancholy Dane.
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Made in Spain: Flamenco Master Rafael Ramírez
Flamenco master Rafael Ramírez taps into his drive for perfection in solo show "Lo Preciso" at GALA Hispanic Theatre.
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‘Rustin’ Review: Truth Be Told
A stirring portrait of an oft-unsung civil rights hero and queer trailblazer, 'Rustin' doesn't deliver on all of its promise.
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‘Confederates’ Review: Slave Play
Mosaic delivers a deftly staged, powerfully felt production of Dominique Morisseau's thought-provoking 'Confederates.'
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‘Night of the Living Dead Live’ Review: Dead Heads
More spoofy than spooky, Rorschach's 'Night of the Living Dead Live' remixes the movie with verve and good humor.
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‘POTUS’ Review: Ladies First
Fast on its feet, and furiously funny, Arena's "POTUS" offers a wild time at the White House, powered by women
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‘The Chameleon’ Review: Family Dysfunction
Theater J's "The Chameleon" sketches an intriguing satire about blending in versus standing up, but fumbles the comedy.
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‘Fellow Travelers’ Review: Secret Loves
Come to "Fellow Travelers" for the sweeping gay love story, stay for the incisive portrait of Lavender Scare paranoia.
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‘Orlando’ Review: Vision of Love
Constellation makes queer-forward farce of Virginia Woolf's gender-bending classic "Orlando," adapted by Sarah Ruhl.
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‘Killers of the Flower Moon’ Review: Killing Fields
Martin Scorsese enlists his two favorite leading men to serve up a full-course meal of cinema in 'Killers of the Flower Moon.'
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‘Dicks: The Musical’ Review: Dick Pic
The outrageousness of the humor, and balls-to-the-wall performances by Mullally and Lane, really make "Dicks" sing.
