'The Marvels' takes off with some turbulence but, fueled by great cast chemistry and MCU world-building, lands gracefully.
Shakespeare gets his invite to the cookout in "Fat Ham," a saucy gay, Black riff on the Bard's melancholy Dane.
Flamenco master Rafael Ramírez taps into his drive for perfection in solo show "Lo Preciso" at GALA Hispanic Theatre.
A stirring portrait of an oft-unsung civil rights hero and queer trailblazer, 'Rustin' doesn't deliver on all of its promise.
Mosaic delivers a deftly staged, powerfully felt production of Dominique Morisseau's thought-provoking 'Confederates.'
More spoofy than spooky, Rorschach's 'Night of the Living Dead Live' remixes the movie with verve and good humor.
Fast on its feet, and furiously funny, Arena's "POTUS" offers a wild time at the White House, powered by women
Theater J's "The Chameleon" sketches an intriguing satire about blending in versus standing up, but fumbles the comedy.
Come to "Fellow Travelers" for the sweeping gay love story, stay for the incisive portrait of Lavender Scare paranoia.
Constellation makes queer-forward farce of Virginia Woolf's gender-bending classic "Orlando," adapted by Sarah Ruhl.
Martin Scorsese enlists his two favorite leading men to serve up a full-course meal of cinema in 'Killers of the Flower Moon.'
The outrageousness of the humor, and balls-to-the-wall performances by Mullally and Lane, really make "Dicks" sing.
The British dating sensation 'Naked Attraction' makes bizarrely riveting TV by capturing human mating behavior at its realest.
A fascinating premise running on just vibes and movie star charisma, the sci-fi drama 'Foe' barely registers a pulse.
"Down Low" director Rightor Doyle gives us the lowdown on why he begged for a shot to make this dark and daring queer comedy