All posts by André Hereford
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‘Passing Strange’ Review: Growing Pains and Epiphanies
Signature's 'Passing Strange' serves up a satisfying stew of rock concert and musical-comedy led by the soul-stirring Deacon Izzy.
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‘Falsettos’ Review: Family Hour
Rep Stage takes a bow with a poignant production of 'Falsettos,' the landmark musical about a gay dad whose family is in flux.
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‘Carmen’ Review: Lost Angels
Reimagining the classic tale as a modern cross-border romance, Benjamin Millepied's 'Carmen' dances to its own sensuous beat.
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‘The School for Lies’ Review: High Comedy
Constellation flexes its farce with "The School for Lies," a brightly funny, briskly-paced rhyming retooling of Molière.
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‘Guardians of the Galaxy Vol. 3’ Review: Rocket Science
James Gunn closes his 'Guardians of the Galaxy' trilogy with more gravitas than goofiness amid rockin’ interstellar set-pieces.
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Machine Dazzle Lives Up to His Name in the World of Design
Designer and performer Machine Dazzle shares his singular vision for life, art, and adorning the gods in Opera Lafayette's 'Io.'
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’32 Sounds’ Review: Auditory Wonders
"32 Sounds" offers a fascinating, immersive exploration of sound and its effect on how we think, feel, create, and remember
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A New Movie Examines the Talented, Enigmatic Little Richard
Director Lisa Cortés contemplates a legend in all his complexity and contradictions in 'Little Richard: I Am Everything.'
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‘Drag Isn’t Dangerous’ Telethon Broadcasts Worldwide on May 7
'Drag Isn't Dangerous' telethon co-host Justin Martindale has a message for anti-drag Republicans: Sashay away!
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The Rapturous Diversity of D.C.’s Drag Scene
Haus of Bambi and photographer Farrah Skeiky shine a light on D.C.'s underground drag scene with 'Survive, Glamorously.'
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Kevin Aviance Is Back In The House
The legendary Kevin Aviance makes a triumphant return to D.C. at the Project GLOW Festival's Secret Garden.
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Project GLOW’s Secret Garden of Dance
Ed Bailey shares what's in store inside Project GLOW's Secret Garden, and at the future club the public calls Town 2.0.
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‘Les Miserables’ Review: Rebel Yell
Impressive singing and stagecraft spark a lit and lively 'Les Miz' at the Kennedy Center.
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‘Chevalier’ Review: Black Knight
'Chevalier' makes lustily entertaining drama of the life of bi-racial 18th-century French classical composer Joseph Bologne.
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‘On the Far End’ Review: Justice Served
Playwright Mary Kathryn Nagle ably carries 'On the Far End' with a commanding solo performance as Muscogee leader Ella Jean Hill.
