All posts by André Hereford
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‘For the Love of DILFS’ Review: Daddy Issues
Twinks go bear-hunting in OUTtv's lusty, louche gay reality dating show-meets-social experiment.
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Solomon Parker Fills Those Kinky Boots Just Perfectly
Preparing for liftoff to greater heights, hometown theater hero Solomon Parker kicks up his heels as Lola in Olney's 'Kinky Boots.'
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‘Cocaine Bear’ Review: Bear Gone Wild
The savagely funny 'Cocaine Bear' turns its ripped-from-the-headlines premise into gory, full-blown farce.
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Director Goran Stolevski on His LGBTQ Film ‘Of an Age’
Goran Stolevski's 'Of an Age' strikes universal chords of love and attraction in a very specifically queer story.
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Dressing the Part: Talking with ‘Some Like It Hot’ Star J. Harrison Ghee
J. Harrison Ghee taps into their own truth to redefine a classic, with a dazzling turn on Broadway in 'Some Like It Hot.'
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‘The Cake’ Review: Just Desserts
Nicole Halmos' assured performance as a conflicted conservative propels Prologue Theatre's multi-layered 'The Cake.'
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‘Ant-Man and the Wasp: Quantumania’ Spoiler-Free Review: Lang Vs. Kang
'Ant-Man and the Wasp: Quantumania' scales up the franchise’s appealing blend of sci-fi, comedy, and superhero spectacle.
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Mosaic Theater’s ‘Bars and Measures’ Review: Caged Bird
Dynamic staging and design, and Louis E. Davis' searing central performance, keep Mosaic's 'Bars and Measures' playing in tune.
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‘The Lifespan of a Fact’ Review: Just the Facts
Keegan's "The Lifespan of a Fact" mounts a thought-provoking debate about distinguishing the facts in nonfiction
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‘Magic Mike’s Last Dance’ Review: Last Gasp
'Magic Mike’s Last Dance' fumbles the appeal of the once-throbbing franchise with a fan-fiction love story that fails to excite.
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Alvin Ailey Lights Up the Kennedy Center in Annual Engagement
Alvin Ailey American Dance Theater artistic director Robert Battle peels back the curtain on the company's D.C. visit.
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‘Knock at the Cabin’ Review: Sacrificial Lambs
M. Night Shyamalan’s home invasion thriller 'Knock at the Cabin' strikes fast and keeps the tension boiling.
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United Ukrainian Ballet Brings a Message of Peace
A company of artists in exile, the United Ukrainian Ballet makes its Kennedy Center debut with Giselle.
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“Poker Face” Review: True Lies
"Poker Face" strikes a timely, satisfying chord with Natasha Lyonne as a crime-solver who can see through anybody's BS.
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“Ride the Cyclone” Review: Final Destination
Arena's macabre musical "Ride the Cyclone" offers laughs, magic, and amusement in a beautifully designed production.
