For his feature directing debut, Creed III star Michael B. Jordan turns in a solid but exceedingly safe fight drama.
Brandt Ricca and Matt Miller bring a sense of wonder and inclusion to their series of books for kids.
Constellation's 'Incognito' sketches an intriguing historical puzzle, but strains to fit the pieces into a cohesive whole.
The fierce performances are nearly drowned out by theatrical noise in Woolly's 'seven methods of killing kylie jenner.'
Twinks go bear-hunting in OUTtv's lusty, louche gay reality dating show-meets-social experiment.
Preparing for liftoff to greater heights, hometown theater hero Solomon Parker kicks up his heels as Lola in Olney's 'Kinky Boots.'
The savagely funny 'Cocaine Bear' turns its ripped-from-the-headlines premise into gory, full-blown farce.
Goran Stolevski's 'Of an Age' strikes universal chords of love and attraction in a very specifically queer story.
J. Harrison Ghee taps into their own truth to redefine a classic, with a dazzling turn on Broadway in 'Some Like It Hot.'
Nicole Halmos' assured performance as a conflicted conservative propels Prologue Theatre's multi-layered 'The Cake.'
'Ant-Man and the Wasp: Quantumania' scales up the franchise’s appealing blend of sci-fi, comedy, and superhero spectacle.
Dynamic staging and design, and Louis E. Davis' searing central performance, keep Mosaic's 'Bars and Measures' playing in tune.
Keegan's "The Lifespan of a Fact" mounts a thought-provoking debate about distinguishing the facts in nonfiction
'Magic Mike’s Last Dance' fumbles the appeal of the once-throbbing franchise with a fan-fiction love story that fails to excite.
Alvin Ailey American Dance Theater artistic director Robert Battle peels back the curtain on the company's D.C. visit.