A company that bottled sex, youth, and all-American elitism gets exposed in "White Hot: The Rise & Fall of Abercrombie & Fitch."
Blunt and playful comedian Holmes on improvising her way to sold-out standup gigs and starring on FOX's "Welcome to Flatch."
Alexander Skarsgård slays as a prince dishing out ice-cold vengeance in the musclebound, medieval epic "The Northman."
Jerrod Carmichael's HBO Max comedy special Rothaniel is a frank, funny masterpiece in the imperfect art of coming out onstage.
The bright, bustling Broadway tour of "Mean Girls" makes for a better comedy than as a showcase for song and dance.
"Poppy Field" director Eugen Jebeleanu made the tense drama about a closeted gay cop as a manifesto for LGBTQ rights.
Plumbing the homoerotic tendencies in the text, Arin Arbus' The Merchant of Venice unearths a fresh take.
Michael Bay's gun-crazy actioner "Ambulance" is loud, dumb, and feels interminably long, but at least it's mostly coherent.
Warmly witty and chillingly tense, Mosaic's world premiere of "Private" astutely imagines an all-too-possible future.
"Love Guru" Byron Jamal sets out to save the sex-scarred with his frank new book "How to Heal a Hoe."
Working in harmony, a talented cast uplifts and inspires in the World Premiere musical "Grace" at Ford's Theatre.
The misfiring 'Morbius' at a certain point just stops firing, but not before it stops making sense.
Oscar Isaac acts his asp off as Marvel's "Moon Knight," yet the action-challenged series still sputters.
John Jarboe explores gender queerness through the metaphor of cannibalism.
The "sexy, sultry, spicy" cirque cabaret AirOtic will play in D.C. for an extended run at Hook Hall.