Plumbing the homoerotic tendencies in the text, Arin Arbus' The Merchant of Venice unearths a fresh take.
Michael Bay's gun-crazy actioner "Ambulance" is loud, dumb, and feels interminably long, but at least it's mostly coherent.
Warmly witty and chillingly tense, Mosaic's world premiere of "Private" astutely imagines an all-too-possible future.
"Love Guru" Byron Jamal sets out to save the sex-scarred with his frank new book "How to Heal a Hoe."
Working in harmony, a talented cast uplifts and inspires in the World Premiere musical "Grace" at Ford's Theatre.
The misfiring 'Morbius' at a certain point just stops firing, but not before it stops making sense.
Oscar Isaac acts his asp off as Marvel's "Moon Knight," yet the action-challenged series still sputters.
John Jarboe explores gender queerness through the metaphor of cannibalism.
The "sexy, sultry, spicy" cirque cabaret AirOtic will play in D.C. for an extended run at Hook Hall.
Migguel Anggelo's imaginative, semi-autobiographical fable "English with an Accent" makes its debut at GALA on April 1.
Stalked by crazed killers, a porno film crew winds up on the cutting-room floor in Ti West's harrowing "X".
HBO Max's "Minx" bets big on cocks of all sizes in its saga of feminism and full-frontal at an erotic magazine for women.
Aiden Feltkamp helps transgender and nonbinary singers find the perfect notes.
"The Andy Warhol Diaries" assesses Andy Warhol's life as an artist, influencer, entrepreneur, and gay man
There's a lot to adore about's effervescently funny, gorgeously sung "She Loves Me."