All posts by André Hereford
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‘On the Rocks’ review: Bill Murray charms in Sofia Coppola’s breezy comedy caper
On the Rocks spins privileged humor from a dad and daughter's deep-seated trust issues
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‘Helstrom’ review: Hulu’s hellishly dour new Marvel series
Hulu's "Helstrom" keeps its focus too firmly set on the rearview mirror
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Spotlight: Joy at Synetic Theater
With their new play "Joy," Synetic strives for a hands-on, interactive, virtually immersive experience
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Peppermint centers the trans experience in new EP ‘A Girl Like Me’
Peppermint stands up for the Black trans community and opens up about past relationships on her new album
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“Social Distance” gets up-close and personal telling stories of disparate lives during the pandemic
Netflix's anthology series reflects the myriad ways people are staying connected, while forced to remain apart
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‘The Forty-Year-Old Version’ review: Radha Blank offers a fresh, new comedic voice
Radha Blank writes, directs, and raps her way to a solid feature debut with "The Forty-Year-Old Version"
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The Boys in the Band: Joe Mantello on bringing gay history back to life
Since directing "The Boys in the Band," Joe Mantello sees Mart Crowley’s landmark gay play in a whole new light
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Round House opens its unprecedented virtual season with interactive satire ‘American Dreams’
Leila Buck's play gives viewers control of a game show where the prize is U.S. citizenship
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The Glorias review: Gloria Steinem deserves better than this
A postcard-pretty portrait of feminist icon Gloria Steinem, Julie Taymor's "The Glorias" fails to deliver
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Spiral review: Jeffrey Bowyer-Chapman in a taut psychological thriller
A gay couple steps into a new home and a paranoid nightmare in Shudder’s effectively creepy Spiral.
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‘We Are Who We Are’ review: Queer-themed series offers elegant storytelling and tart, unforced humor
HBO's queer-themed We Are Who We Are encapsulates the unique coming-of-age atmosphere on a U.S. military base in Italy
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‘His Own Life’ explores Oliver Sacks’s most profound case study: himself
Documentary filmmaker Ric Burns captured Dr. Oliver Sacks, who came out late in life, on film months before he passed away.
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‘Antebellum’ Review: Janelle Monáe thriller offers striking imagery but a strained conclusion
"Antebellum" struggles to find a lasting message in its red-herring-filled motive
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DC Shorts 2020 brings a world of short films into the comfort of your home
DC Shorts International Film Festival offers 160 shorts from 34 countries
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12 Vintage Gay Adult Films Everyone Should See
Charting an odyssey of classic gay erotica, from Arthur J. Bressan Jr.'s "Passing Strangers" to Wakefield Poole's "Boys in the Sand."
