All posts by André Hereford
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Gone Clubbing: Coronavirus is pushing LGBTQ nightlife online and into homes
The hottest new club is your living room, as virtual nightclubbing takes off in the age of social distancing
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Film Review: ‘Butt Boy’ is about as funny as a prostate exam
Freud might have had a field day analyzing "Butt Boy," but you can go read a book or rearrange your furniture.
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‘Tiger King’ review: A human menagerie of cons, crooks, and animal exploiters
Liars, and ligers, and bears, oh my what a delirious freak show is Netflix's true crime sensation "Tiger King"
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Film Review: Gay drama ‘Nevrland’ is timely but tepid
The gay chat room thriller "Nevrland" underdelivers on its dark premise of strangers connecting online
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‘Toy Boy’ review: Netflix’s sudsy, studly soap opera
A sleuthing male stripper takes it off for justice in Netflix's spicy Spanish soap opera "Toy Boy"
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Chasing COVID-19: World races to contain coronavirus pandemic
Perspectives on the coronavirus from an expert virologist and a health journalist
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DC Theater Review: Signature Theatre’s ‘Easy Women Smoking Loose Cigarettes’
Signature's "Easy Women Smoking Loose Cigarettes" miscalculates its mix of sitcom cutesiness and serious family drama.
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Music: Classical & Choral — Spring Arts Preview 2020
Symphony, recital and opera performances coming to D.C., Maryland and Virginia
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Dance: Spring Arts Preview 2020
Ballet, Cultural, Modern and Urban dance performances in DC, Maryland and Virginia: March to August 2020
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DC Theater Review: ‘This Bitter Earth’ at Theater Alliance
Built around a pair of potent performances, This Bitter Earth explores an interracial gay couple's love and conflict
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Theater experience ‘Museum 2040’ conjures a future shaped by shocking events
4615 Theatre Company's ambitious, immersive production tells the harrowing story of America post-2020
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DC Theater Review: AvantBard’s ‘Suddenly Last Summer’
AvantBard offers a lushly entertaining double-bill of Tennessee Williams' tart and tempestuous ladies
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DC Theater Review: ‘The Wanderers’ at Theater J
Theater J's moving "The Wanderers" serves up shattering betrayal and redemption, with a sweet side of laughter
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John Jones illuminates the architecture of gender in Anna Ziegler’s “Boy”
The Keegan Theatre production has provoked heartfelt discussions about gender and identity
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‘The Invisible Man’ review: Suspenseful stalking with hazy plotting
Leigh Whannell's "The Invisible Man" stretches out a decent horror premise until it's as thin as air
