All posts by André Hereford
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Theater Review: Constellation’s “Aida”
Shayla S. Simmons pretty much steals the show as the lead in Constellation's glossy, glitzy "Aida"
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Film Review: “First Man” presents a thoughtful account of a thrilling space race
"First Man" eschews spectacle for a reflective portrait of pioneering astronaut Neil Armstrong
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Film Review: Bad Times at the El Royale
A dynamite thriller with a stacked cast and a smart script, "Bad Times at the El Royale" delivers a ferociously good time
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The Oath’s Ike Barenholtz: “Our current political ecosystem is absurd”
Politics and mayhem make strange but hilarious bedfellows in Ike Barinholtz's dark comedy "The Oath"
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Review: Florence + the Machine’s High as Hope tour
Florence + the Machine take the Anthem higher with lush rock and positive vibes
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Theater Review: Signature Theatre’s “Heisenberg”
Heisenberg pair carves out a seductive romance between a butcher and a mystery woman who meet by chance
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In Todrick We Trust: An Interview with Todrick Hall
Todrick Hall opens up about searching for love, conquering setbacks, and embracing success
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Film Review: A Star Is Born
Bradley Cooper's remake of "A Star Is Born" is a gritty, heartfelt show-biz fable driven by the force of its two stars
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Film Review: Keira Knightley shines in “Colette”
Keira Knightley's latest star turn takes her to the salons of turn-of-the-century Paris
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Theater Review: Lincolnesque at Keegan Theatre
Despite a few strong performances, Keegan's Lincolnesque doesn't fully deliver, landing somewhere in the muddy middle
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Documentary “Science Fair” showcases the next generation of science and engineering changemakers
Cristina Costantini and Darren Foster celebrate the smart kids in their lovable documentary "Science Fair"
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Brian Calhoon’s mission is to spread the gospel of the marimba
Calhoon brings his quirky, musical-comedy showcase Brian Calhoon's Marimba Cabaret to DC Arts Center
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Film Review: Michael Moore’s Fahrenheit 11/9
"Fahrenheit 11/9" takes aim at Trump, the GOP, the DNC, and everything off-kilter in post-election America
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Theater Reviews: If I Forget and The Pianist of Willesden Lane
Pondering the ghosts of Jewish family past and present in Studio's "If I Forget" and Theater J's "The Pianist of Willesden Lane"
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Theater Reviews: “Como Agua para Chocolate” at GALA, “Sweeney Todd” at Rep Stage
GALA's "Como Agua para Chocolate" lacks a few key ingredients, while REP's "Sweeney Todd" needed a little longer in the oven
