All posts by André Hereford
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Review: “The Effect” at Studio Theatre
In Studio's dazzling, neon-lit production of "The Effect," two subjects fall in love while two doctors spar
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Review: Chadwick Boseman shines in “Marshall”
With Marshall, Chadwick Boseman adds to his growing roster of laudable turns playing American historical giants
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Review: Keegan’s “Stones in His Pockets”
Keegan's "Stones in His Pockets" fully charms
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Review: Ford’s “Death of a Salesman”
Ford's Theatre's Death of a Salesman offers tragic poignancy
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Review: Constellation Theatre’s “The Wild Party”
The music and dancing delight, but the leads don't quite deliver in Constellation's The Wild Party
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Billie Jean King takes on Bobby Riggs in Battle of the Sexes (review)
Emma Stone dazzles as tennis champ Billie Jean King who bested Bobby Riggs in a '70s stunt match that turned iconic
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Reviews: Everyman’s “M. Butterfly” and Factory 449’s “Lela & Co.”
M. Butterfly soars on its lead's performance, while Lela & Co. offers a harrowing wartime tale
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Review: Mother! is hilarious, horrifying and preposterous
It's torture being married to an artist in Darren Aronofsky's wacky psychological horror spectacle "Mother!"
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Review: GALA’s “Don Juan Tenorio” offers glimmers of brilliance
GALA Hispanic Theatre's Don Juan Tenorio seduces, but doesn't fully satisfy
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Review: Studio’s “Skeleton Crew”
Skeleton Crew hits home with Heartland struggle and copious laughs
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Review: ‘It’ delivers frightening imagery and taut suspense
"It" unearths the monsters -- real and imagined -- that prey on a small town's innocence
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Review: Miche Braden shines in Mosaic’s “The Devil’s Music”
Miche Braden brings blues singer Bessie Smith to magnificent, powerful life in Mosaic's The Devil's Music.
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Big Freedia set to slay as the headliner of Honey Groove 2017
Bounce music diva performs at D.C.'s all-day, LGBTQ-focused music and arts festival
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Review: Signature Theatre’s “A Little Night Music”
Love is in the air in Signature's graceful, elegant production of Sondheim's A Little Night Music.
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Review: MetroStage’s “The Wizard of Hip” is energetic but dated
The Wizard of Hip feels dated, but the exuberant Thomas W. Jones II and his reliable Lady Doo-Wops put on a good show
