All posts by Doug Rule
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Reflective: The Glass Menagerie at Ford’s Theatre (review)
Ford's Theatre stages a resonant Tennessee Williams classic
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Creating a Legacy
At MetroStage, Thomas W. Jones II develops profound, engaging works that embrace the African American experience
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Bizet in Havana
The Washington Ballet stages a Cuban-based, cross-genre collaboration with The InSeries
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And the Nominees Are…
Constellation Theatre Company’s Avenue Q, a sold-out phenomenon over the summer, is now an award-nominated phenomenon, too. The gay-friendly puppet musical snagged 14 nods, more...
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Helen Hayes Awards: And the Nominees are…
Arena, Constellation, the Shakespeare and Signature are among the most nominated for the 2016 Helen Hayes Awards
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Dream Role: Holly Twyford on being Bottom
Holly Twyford has helped shape D.C.'s theater scene by taking on gender-bending roles, including Bottom in "A Midsummer Night's Dream"
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Expanded Eating: The Best Winter Restaurant Week Deals
Several restaurants go beyond the basics with Winter Restaurant Week promotions
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Transcending Comedy: Julia Scotti
Julia Scotti found renewed interest in comedy after coming out as transgender
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Gender Neutralized: “As You Like It” at Center Stage
Baltimore's Center Stage serves up an all-female "As You Like It"
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Mid-Atlantic Leather 2016: Event Calendar
Ultra Nate surprised the crowd at a Toronto Pride party last summer. “A lot of people were shocked by my DJ’ing,” she says. “‘We need...
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Club Life: An interview with the 9:30 Club’s Seth Hurwitz
As the 9:30 Club, D.C.'s most legendary concert venue, celebrates 35 years of putting music on the map, its owner, Seth Hurwitz, reflects on its...
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The 9:30 Club’s Gay Appeal
From Millennium to Mixtape, Grace Jones to Lady Gaga, the 9:30 Club has long had gay appeal
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Steven Lutvak: Gentleman’s Touch
Broadway composer Steven Lutvak's life is taking flight along with his career
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Ringing in the Gay Year
A guide to some gay best bets for New Year's Eve 2016
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Gone Awry: Matilda the Musical (Review)
Matilda the Musical feels like bad day at the circus
