All posts by Kate Wingfield
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Much Ado About Nothing at Synetic (Review)
Another in Synetic Theater’s Silent Shakespeare series, the dance-musical interpretation of Much Ado About Nothing is a clever, outside-the-box extravaganza. A pastiche of 1950s musical...
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King of Pain: King Hedley II (Review)
King Hedley II is a ruthlessly honest examination of the profound costs of prejudice
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MacSequel: Dunsinane (Review)
A contemplation on Macbeth, David Greig's Dunsinane offers reflection on modern global conflicts
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Metro Accessible
An adaptation built for a new century with laughs that will last
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Comedy’s Afoot at Arena Stage: Baskerville (Review)
Ken Ludwig's latest comic nod to Sherlock Holmes barks up the right tree
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Puppet Masters: Famous Puppet Death Scenes at Woolly (Review)
A nonconformist troupe brings to Woolly's stage an extraordinary spectacle of puppetry
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Review: WNO’s “La Boheme”
WNO's "La Boheme" is saturated in uncompromising quality and creative detail
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Beastly Behavior: Synetic’s Island of Dr. Moreau
Synetic Theatre merges words and movement in their latest take on a classic
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Arena’s The Shoplifters (Theatre Review)
The Shoplifters gives a woman of a certain age the kind of riveting gravitas almost always written for men
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Woolly Mammoth’s Marie Antoinette (Theatre Review)
Playwright David Adjmi gives us a voyeur's view of Marie Antoinette
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“Private Lives,” “The Totalitarians” feature strong female protagonists, but leave unanswered questions
Separated by time and genre, you wouldn’t expect Noel Coward’s 1930s ever-so-British rom-com Private Lives to have much in common with Peter Sinn Nachtrieb’s The...
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Primary Colors: “The Magic Flute”
There are beautiful singing voices in WNO's Magic Flute, yet much is still out of tune
