All posts by Kate Wingfield
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Reel Affirmations Review: ‘Nelly & Nadine’
The story of family and its strengths, as well as the ties that do not always bind and the truths that are not always named.
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Reel Affirmations Review: ‘When Time Got Louder’
Despite heartfelt performances, 'When Time Got Louder' is a film severely short on realism and imagination.
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‘A Midsummer Night’s Dream’ Review: Coming Up Short
The Folger's pared-down 'Midsummer Night's Dream' results in a production that never quite sees the forest for the trees.
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Washington National Opera brings Cinderella to Opera in the Outfield
WNO's 2015 production is an ideal opera for the uninitiated
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‘This is Who I Am’ review: Woolly’s virtual Zoom drama
A cherished family dish reconnects a father and son over Zoom in Woolly Mammoth's virtual drama, "This is Who I Am."
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DC Opera Review: Washington National Opera’s ‘Don Giovanni’
How do you present Mozart's problematic, sexist Don Giovanni in the current #metoo climate?
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DC Theater Review: An unforgettable ‘Timon of Athens’ at Shakespeare Theatre
Spend your gold on Simon Godwin’s extraordinary reboot of Timon of Athens, starring the phenomenal Kathryn Hunter.
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DC Theater Review: ‘The Amen Corner’ at Shakespeare Theatre
James Baldwin's "The Amen Corner" feels remarkably fresh, original, and vitally important
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DC Theater Review: ‘Shipwreck’ at Woolly Mammoth
Anne Washburn's "Shipwreck" goes after self-involved liberals, which is like shooting fish in a barrel
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Theater review: Folger’s magnificent ‘Merry Wives of Windsor’
Delivered with '70s style and flair, the Folger's "Merry Wives of Windsor" is one of the best you'll ever see
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Theater Review: ‘She the People’ at Woolly Mammoth
Second City's She the People is a full-scale comic outrage at everything society expects of women
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Theater Review: “The Woman in Black” at The Shakespeare
"The Woman in Black" owes much to old-fashioned stagecraft, but it takes its time getting where it's going
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Review: ‘Amadeus’ at Folger Theatre
Folger's "Amadeus" offers an entertaining flight of historical fancy in the fictitious battle of Salieri v. Mozart.
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DC Opera Review: WNO’s ‘Otello’
With "Otello," the Washington National Opera offers an extremely satisfying, grim telling of a timely classic
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DC Theater Review: ‘Everybody’ at Shakespeare Theatre
"Everybody" puts amusing, compelling thought at the mercy of randomized casting
