All posts by Kate Wingfield
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Theater Review: ‘She the People’ at Woolly Mammoth
Second City's She the People is a full-scale comic outrage at everything society expects of women
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Theater Review: “The Woman in Black” at The Shakespeare
"The Woman in Black" owes much to old-fashioned stagecraft, but it takes its time getting where it's going
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Review: ‘Amadeus’ at Folger Theatre
Folger's "Amadeus" offers an entertaining flight of historical fancy in the fictitious battle of Salieri v. Mozart.
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DC Opera Review: WNO’s ‘Otello’
With "Otello," the Washington National Opera offers an extremely satisfying, grim telling of a timely classic
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DC Theater Review: ‘Everybody’ at Shakespeare Theatre
"Everybody" puts amusing, compelling thought at the mercy of randomized casting
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Theater Review: “Escaped Alone” at Signature Theater
In "Escaped Alone," Caryl Churchill throws into question our sense of safety and civility in a rather unique manner
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TV Review: ‘Peaky Blinders’ Season 5 on Netflix
Peaky Blinders returns with its signature poise, power, and unfettered style
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DC Theater Review: Heidi Schreck’s ‘What the Constitution Means to Me’
Heidi Schreck offers two hours of high-octane -- if overegged -- insight into her life-long love of the Constitution.
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DC Theater Review: ‘Fairview’ at Woolly Mammoth
Jackie Sibblies Drury's "Fairview" offers a powerful, original, and unsettling study of race relations
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DC Theater Review: ‘1 Henry IV’ at Folger Theatre
Edward Gero puts Falstaff center stage in Folger’s 1 Henry IV
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DC Theater Review: ‘Byhalia, Mississippi’ at the Kennedy Center
Though well-acted, Evan Linder's "Byhalia, Mississippi" starts with a ton of promise, but stumbles on the landing
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DC Theater Review: Synetic’s ‘Richard III’
Synetic offers a dark, exciting, and brazenly inventive wordless interpretation of "Richard III"
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DC Opera Review: Washington National Opera’s ‘Tosca’ at the Kennedy Center
WNO’s Tosca delivers its heroine and famous arias with atmosphere and intimacy.
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DC Theater Review: The Oresteia at Shakespeare Theatre
Michael Kahn's curtain call at The Shakespeare Theatre Company is the breathtaking, deeply satisfying "The Oresteia"
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DC Theater Review: Love’s Labor’s Lost at Folger Theatre
Folger's Love's Labor's Lost is a wonderful -- if uneven -- reimagining of Shakespeare's battle of the sexes
