All posts by Kate Wingfield
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Theater Review: “Escaped Alone” at Signature Theater
In "Escaped Alone," Caryl Churchill throws into question our sense of safety and civility in a rather unique manner
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TV Review: ‘Peaky Blinders’ Season 5 on Netflix
Peaky Blinders returns with its signature poise, power, and unfettered style
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DC Theater Review: Heidi Schreck’s ‘What the Constitution Means to Me’
Heidi Schreck offers two hours of high-octane -- if overegged -- insight into her life-long love of the Constitution.
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DC Theater Review: ‘Fairview’ at Woolly Mammoth
Jackie Sibblies Drury's "Fairview" offers a powerful, original, and unsettling study of race relations
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DC Theater Review: ‘1 Henry IV’ at Folger Theatre
Edward Gero puts Falstaff center stage in Folger’s 1 Henry IV
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DC Theater Review: ‘Byhalia, Mississippi’ at the Kennedy Center
Though well-acted, Evan Linder's "Byhalia, Mississippi" starts with a ton of promise, but stumbles on the landing
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DC Theater Review: Synetic’s ‘Richard III’
Synetic offers a dark, exciting, and brazenly inventive wordless interpretation of "Richard III"
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DC Opera Review: Washington National Opera’s ‘Tosca’ at the Kennedy Center
WNO’s Tosca delivers its heroine and famous arias with atmosphere and intimacy.
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DC Theater Review: The Oresteia at Shakespeare Theatre
Michael Kahn's curtain call at The Shakespeare Theatre Company is the breathtaking, deeply satisfying "The Oresteia"
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DC Theater Review: Love’s Labor’s Lost at Folger Theatre
Folger's Love's Labor's Lost is a wonderful -- if uneven -- reimagining of Shakespeare's battle of the sexes
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Theater Review: Arena’s ‘Junk’
Junk makes the world of banking genuinely interesting, but lacks any human connection
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Theater Review: Aaron Posner’s ‘JQA’ at Arena
Arena's JQA is best left to the tourists and those who can never get enough educational theater
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Opera review: Faust at the Washington National Opera
An old-fashioned charmer enhanced by an artistic eye, the WNO's Faust gives the Devil his due
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Opera Review: WNO’s Eugene Onegin
The Washington National Opera's lovely, affecting "Eugene Onegin" offers a rare Russian treat
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Theater Review: Shakespeare Theatre Company’s Richard the Third
Shakespeare Theatre’s Richard the Third is fantastically devious and delightfully fun.
