An old-fashioned charmer enhanced by an artistic eye, the WNO's Faust gives the Devil his due
The Washington National Opera's lovely, affecting "Eugene Onegin" offers a rare Russian treat
Shakespeare Theatre’s Richard the Third is fantastically devious and delightfully fun.
Alison Luff delivers a star turn in Folger Theatre's "Nell Gwynn," but the gender politics feel stuck in the 1600s
Kenneth Lin's Kleptocracy offers clever politics, but is let down by cheap imagery and a bland central performance
David Ives' "The Panties, The Partner and The Profit" offers bold idea, but a dearth of laughs
Shakespeare Theatre's "An Inspector Calls" is visually stunning, but loses details in its to-the-rafters delivery
“King John” may not be one of Shakespeare's greats, but Folger Theatre makes it a must-see
If you give yourself one Halloween treat this year, make it an evening with Synetic's "Sleepy Hollow"
WNO’s La traviata presents Verdi’s classic soberly, subtly, and with touching clarity
"The Comedy of Errors" is just the ticket to escape our troubling times
Ford's production of Born Yesterday is an incredibly timely tale -- for better or worse
Woolly puts forth a vicious comedy of office politics, while Folger offers stunningly unique version of "Macbeth"
Woolly's "Botticelli in the Fire" offers both too much and too little in reimagining the Renaissance painter
Bedlam's Saint Joan is lovingly produced but demands the patience of a saint