All posts by Kate Wingfield
-
“Moby Dick” at Arena Stage (review): Catch a ride on this bewitching Pequod
Visually and aurally enchanting, this is storytelling as magical dream. You've never seen Melville quite like this.
-
Spotlight on The Second Shepherd’s Play
Folger's add interludes of music and song from the period to enhance this holiday treat
-
WNO’s “The Daughter of the Regiment”: Much needed respite from tumultuous times
The Daughter of the Regiment offers much-needed respite from tumultuous times
-
Kiss at Woolly Mammoth (review)
Guillermo Calderon turns Syria from ubiquitous headline into something more urgent and human
-
“The Year of Magical Thinking” at Arena Stage (review)
"The Year of Magical Thinking" is wholly, engagingly real
-
AWOL
AWOL Friday, Oct. 14 7 p.m. GALA’s Tivoli Theatre A beautifully shot Rust Belt love story, Deb Shoval’s AWOL delivers on a notoriously hard-to-keep promise:...
-
Synetic’s “Dante’s Inferno” (review): The perfect antidote to Halloween pap
Dante's Inferno tells Dante's story told through dance, mime and extraordinary atmospherics
-
“The Little Foxes” at Arena Stage (review)
The Little Foxes is an evening's worth of fine, old-fashioned entertainment
-
Puppy Love: Romeo and Juliet at Shakespeare Theatre (review)
The Shakespeare Theatre's "Romeo and Juliet" is more high school field trip than grown-up fare
-
WNO’s “The Marriage of Figaro” (review)
Rocking no boats, WNO's "The Marriage of Figaro" is all about the music, the voices and the traditional
-
Jen Silverman’s “Collective Rage: A Play in Five Boops” (review)
Collective Rage is just plain boring
-
“Sense and Sensibility” at Folger (review): It doesn’t get much better
Sense and Sensibility's intelligent silliness will create theatergoers for life
-
Redistricting: District Merchants (review)
Folger's clever take on "Merchant of Venice" contemplates race, religion and reality without the preacher
-
Color Coded: An Octoroon (review)
"An Octoroon" is a brave, chaotic, wonderfully-acted play, but it lacks intellectual cogency
-
Taming of the Shrew (review): Bold experiment, deeply flawed
Boasting an all-male cast, Shakespeare Theatre's "Taming of the Shrew" is an intriguing experiment that doesn't work
You must be logged in to post a comment.