It's been quite some time, Superman, but now that you're once again among us, let me be among the first to say, welcome back. And...
''Wrestling is ungodly,'' remarks Sister Encarnacion (Ana de la Reguera) to Friar Ignacio (Jack Black). ''It's a sin.'' ''Why?'' asks Nacho. ''Because these men fight...
View more Capital Pride Festival photos As the stormy weather dissipated at dusk on Friday, June 9, it left at least one rainbow over D.C....
When I was a moviegoing teenager, two movies scared the devil out of me: The Exorcist and The Omen -- the first for its unrelenting,...
''Oh, that's too perfect!'' Christine Baranski whooshes into the Kennedy Center's Africa Room, and immediately positions herself next to an elegant bare-breasted sculpture carved from...
METRO WEEKLY: How did the performing bug bite you? CHRISTINE BARANSKI: It's hard to exactly pinpoint, but the fact is that my paternal grandparents were...
METRO WEEKLY: Let's begin with what first got you interested in acting. HARRIET HARRIS: I'm from Texas. I grew up in Fort Worth, and there...
Early in The Break-Up, Brooke Meyers (Jennifer Aniston) asks her boyfriend, Gary Grobowski (Vince Vaughn), to help with the dishes after a dinner party. Absorbed...
McKellen as 'Magneto' (3rd from left) and Janssen as 'Phoenix' (far right) X-Men: The Last Stand, the third installment in the ultra-popular movie series based...
Well, they've gone and done it. They've stripped the ''adventure'' out of The Poseidon Adventure, leaving, fittingly enough, just Poseidon. That's not to say Wolfgang...
Mission: Impossible III should end with a warning: ''This movie will self-destruct in 5 seconds.'' I'm not kidding. Five seconds after leaving the big kickoff...
Do Ernestine! The plea perches in the back of your head, chirping incessantly, while you talk to Lily Tomlin. Please, PLEASE do Ernestine. Or Edith...
''It's known wrongly as the all-male Swan Lake,'' says British choreographer Matthew Bourne of his inventive reinvention of a classical dance staple that, a decade...
Satire in the movies. On the one hand, it can be sharp, biting, memorably dark. On the other hand, it can be crass, base, instantly...
One of Alfred Hitchcock's favorite recurring themes was that of the wrong man, an acute case of mistaken identity that often took the hero on...