All posts by Sean Maunier
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Nine Inch Nails “Not the Actual Events” (review): Offers little that we haven’t heard before
Not the Actual Events is a solid enough record, but it gives us very few reasons to be excited for what happens next
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The Best Albums of 2016
The year was marked by impressive debuts, long-awaited follow-ups, and a parting gift from a musical icon
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The Hamilton Mixtape (review): A massive, eclectic tribute
The Hamilton Mixtape offers a fresh take on the iconic musical
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Dragonette’s Royal Blues (review): Unmemorable, but incredibly enjoyable
Dragonette breaks their silence with catchy synthpop
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Merry Melodies: Holiday Album Roundup
Old holiday staples return, emerging artists try their hand at the Christmas album, and drag queens spread seasonal cheer
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Tove Lo’s “Lady Wood”: Introspective, provocative, unashamedly feminist
Swedish pop upstart Tove Lo perfects her brand of sensual, club-ready electropop
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After Artpop: Lady Gaga’s Joanne (review)
Lady Gaga's latest album is a beautiful, if uneven, pivot away from her trademark weirdness
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Suicide Kale
Sunday, Oct. 16 1 p.m. GALA’s Tivoli Theatre Meeting a partner’s friends in the early days of a relationship is a daunting prospect at the...
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The and Hugo
Saturday, Oct. 15 9 p.m. GALA’s Tivoli Theatre Alfred Hitchcock once remarked that drama was nothing more than everyday life with the dull bits cut...
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Free CeCe!
Saturday, Oct. 15 5 p.m. GALA’s Tivoli Theatre While much progress remains to be made, trans issues finally seem to be seeping into the public...
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Bon Iver “22, A Million” review: An intriguing experiment with mixed results
Bon Iver ditches acoustics for synths and doubles down on existential dread
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Tor Miller’s “American English” (review): Refreshingly confident and anything but subtle
Tor Miller's New York state of mind shines brilliantly on his impressive, soul-enriched debut
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Back to Basics: KT Tunstall’s “KIN” (review)
KT Tunstall's latest release marks a return to radio-ready pop rock
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Frank Ocean’s Blond(e) review: A masterfully and obsessively constructed album
Frank Ocean's deeply introspective second album, "Blond(e)" rebels against categories
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Dolly Parton’s “Pure and Simple” (review): Quintessential Dolly
Dolly Parton's charms shine as brightly as ever on her latest release, "Pure and Simple"
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