All posts by Sean Maunier
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‘Rufus Does Judy at Capitol Studios’ Review: Making Studio Magic
Rufus Wainwright returns to once again pay tribute to one of his idols.
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‘Algorhythm’ Review: Todrick Hall’s Uneven Results
Todrick Hall's 'Algorhythm' ultimately suffers from a lack of focus, despite the raw talent propelling it.
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Music Review: The New Direction of Harry Styles
With his strong third solo album 'Harry's House,' Harry Styles has landed on a sound he can truly call his own.
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Music Review: Florence and the Machine’s ‘Dance Fever’
Fresh out of isolation, Florence and the Machine makes a glorious and cinematic return with a dynamic new album.
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Music Review: Sofi Tukker’s “WET TENNIS” Is Consistently Exhilarating
Sofi Tukker's brilliantly-executed sophomore album, "WET TENNIS," is a pure rush of endorphins.
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Editor’s Pick: Vincint Brings His Getaway Tour To D.C.’s Union Stage
Vincint's mission is "to make you cry and make you dance," something he succeeded at with his solid and impressive debut album.
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Editor’s Pick: Foy Vance At The Birchmere
Foy Vance will bring his Signs of Life tour to Alexandria's Birchmere on Tuesday, May 10.
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Editor’s Pick: The Indigo Girls Stream A Concert On Veeps
The Indigo Girls will stream their concert "Look Long: Together" for one week starting May 8, and features "special surprise guests."
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Music Review: Syd’s ‘Broken Hearts Club’ Is Relaxed And Effortlessly Cool
'Broken Hearts Club' finds Syd at her most intimate and vulnerable, and at the top of her game as a songwriter.
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With ‘Bronco,’ Orville Peck Goes In An Unexpected Direction
Gay country singer Orville Peck gets a little wilder and a lot more real on his latest album, 'Bronco.'
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Music Review: Walt Disco Is Loud, Charismatic, And Wondrously Eclectic
Walt Disco is something truly special, as the band blurs genres and torches the rulebook on its dazzling debut album.
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Music Review: Charli XCX Goes Back To Pop Basics
With her new album Crash, Charli XCX makes it clear her urge to experiment and innovate is as strong as ever.
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Music Review: CMAT’s “If My Wife New I’d Be Dead” is pure fun
CMAT's debut is campy country at its very best, embodying some of the best aspects of Dolly-adjacent country-pop.
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Album Review: ‘Once Twice Melody’ by Beach House
The Baltimore-based duo Beach House shines on "Once Twice Melody," a vivid and elegiac double album
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Album Review: The Tipping Point by Tears for Fears
Eighties synthpop royalty Tears For Fears surprises with a charismatic, indulgent new album
