Josh Thomas is back on the stand-up road with "Let's Tidy Up," a show that finds him putting things back in order post-pandemic.
The Folger Theatre welcomes audiences back to its home base with an exuberant new 'The Winter’s Tale.'
Shakespeare gets his invite to the cookout in "Fat Ham," a saucy gay, Black riff on the Bard's melancholy Dane.
Fast on its feet, and furiously funny, Arena's "POTUS" offers a wild time at the White House, powered by women
Theater J's "The Chameleon" sketches an intriguing satire about blending in versus standing up, but fumbles the comedy.
Every single film in this curation of comedy shorts is like winning a jackpot, over and over and over again.
"Totally Killer" director Nahnatchka Khan set out to create a world where anything is possible, and she slayed the assignment.
The marvelous madcap humor outpaces all other emotional impact in Signature's production of "King of the Yees."
A random encounter on a nudist beach sets off a darkly hilarious chain of events in Sebastián Silva's "Rotting in the Sun."
Emma Seligman's sardonic and thrillingly dark teen sex comedy is driven by a pair of manipulative high school lesbians.
Rugby champ Ben Cohen, one of our favorite LGBTQ allies, makes a heroic acting debut in Dekkoo's queer-themed "Patterns."
In a third season loaded with heavy-hitting guest stars, "Only Murders in the Building" still sings thanks to its lead trio.
Kai Heath breaks down the art of getting things wrong in the uproarious "The Play That Goes Wrong" at the Kennedy Center.
Two critics are better than one to break down the films behind the summer's buzziest box office craze, "Barbie" and "Oppenheimer."
Logan Festival performers J. Elijah Cho and César Cadabes seize the moment with incisive, award-winning solo shows for everyone.