Gordon Greenberg and Steve Rosen's zippy and zany "Dracula: A Comedy of Terrors" hits all the right comic veins.
"The Last Voyage of the Demeter" offers a few shudders and eye-catching creature effects, but sinks on its way to shore.
Prologue's 'Monsters of the American Cinema' tenderly captures the rhythms of family life for a queer stepdad and his teenage son.
Nicolas Cage plays the infamous Count Dracula in 'Renfield,' an overcooked clash of genre and tepid grasps at modernization.
The richly entertaining "Queer for Fear" charts a fabulous voyage through the history of queerness in horror films
Synetic's “Dracula” features powerful doses of murderous gothic mayhem, witty humor, and a touch of the erotic.
Rorschach's scrappy, feminist take on Stoker's classic horror novel “Dracula” suffers by sidelining the main attraction.
Christopher Henley and Jay Hardee juggle their twin roles in theater and at home.
With their original blend of high-impact dance, crystal-clear storytelling and keen sense of what entertains, it's hard to imagine being disappointed by anything generated by...
It must have seemed like a good idea to someone, somewhere, in some altered state: Combine Universal's three biggest movie monster properties -- Dracula, Frankenstein...