Three years after late night fame, Future Islands makes a case for their staying power
Electric Guest emerges from hibernation with a collection of catchy, expertly crafted tunes
Not the Actual Events is a solid enough record, but it gives us very few reasons to be excited for what happens next
The InSeries devotes its latest revue to one of the great unsung heroes of the American songbook
Dragonette breaks their silence with catchy synthpop
Shakespeare Theatre offers an uneven revival of The Secret Garden, which is still unequivocally Daisy Eagan's show
Bon Iver ditches acoustics for synths and doubles down on existential dread
Lawyers representing transgender student Gavin Grimm have filed a brief with the U.S. Supreme Court arguing that it should not review an appeals court ruling that...
Minneapolis eatery says it tries to "create an environment that is blind to any form of prejudice "
Sausage Party is funny, but one wonders what South Park's Matt Stone and Trey Parker could have done with the idea
Shakespeare Theatre's Kiss Me, Kate is two hours of song, dance and unstoppable fun
Signture's "Girlstar" falls apart at the seams, while "Avenue Q" is all the better for them
Assassin's Creed Syndicate fixes a lot of its predecessors problems, though its London setting can awe and annoy in equal measure
Roland Emmerich's Stonewall butchers a watershed moment in LGBT history
Years & Years, with frontman Olly Alexander, kept the crowd alternately riveted and frenzied.