GALA's "Botiquín de Boleros" puts the audience in the thick of impassioned singing, dancing, and drama
A new Broadway play explores the harsh realities of domestic abuse, but has nothing new to say about it
28 Years Later revives the post-apocalyptic horror franchise with a thrillingly suspenseful trek into the infected wasteland
Signature's high-octane rock musical about Hunter S. Thompson leans too hard on hero worship and too little on meaningful insight.
Dakota Johnson bravely chooses between two 10s as a matchmaker who makes her own match in the engaging rom-com Materialists.
The deadly unfunny dark comedy "I Don't Understand You" misses the mark in its tale of a gay couple's Italian vacation gone wrong.
Hovering between a hostage situation and a buddy comedy, Mosaic's "Andy Warhol in Iran" cleverly connects art and politics.
In reshaping "Frankenstein" as a tale of contemporary marriage, Emily Burns raises more questions than her monster answers
In 'The Mystery of Irma Vep,' two quick-change artists deliver a masterclass in camp comedy, drag, and gothic farce.
Tarell Alvin McCraney’s "We Are Gathered" at Arena Stage explores modern gay romance, sex, and commitment.
The Washington National Opera’s stirring revival of George Gershwin's classic highlights the power of community and voice.
Julia Izumi’s self-absorbed solo show offers weak humor, clunky staging, and little emotional payoff beneath its quirky concept.
Constellation's bustling "Head Over Heels" serves classical romance and queer self-discovery with a giddy Go-Go's twist.
With standout performances from Bernadette Peters, Lea Salonga, and Beth Leavel, "Old Friends" is a masterclass in musical theater magic.
GALA debuts rising queer playwright Emilio T. Infante's incisive new drama Choke: Sucede Hasta en las Mejores Familias"