Maya Rudolph makes being mega-rich look fabulous as a benevolent but clueless billionaire trying to do good deeds on 'Loot.'
Round House closes out an adventurous season with the hilarious "Nollywood Dreams," a love letter to Nigeria and its culture.
Pixar reinvents Space Ranger Buzz Lightyear with a straight-shooting, queer-friendly animated adventure.
Cooper Raiff's 'Cha Cha Real Smooth' finds him once again playing a guy who is just far too nice for his own good.
Todrick Hall's 'Algorhythm' ultimately suffers from a lack of focus, despite the raw talent propelling it.
Terence Davies' handsomely produced but stilted 'Benediction' traces the tempestuous origins of a bitter old queen.
Wild, messy, and audacious, Rob Savage's 'DASHCAM' is relentless in its tastelessness and gore.
Reflecting on the eternal and the ephemeral, Our Town hits every note in Thornton Wilder's classic symphony of Americana.
A pair of assault survivors plot revenge in Paola Lázaro's electrifying, blisteringly funny 'There's Always the Hudson.'
Fresh out of isolation, Florence and the Machine makes a glorious and cinematic return with a dynamic new album.
Mosaic's richly visual, compellingly acted drama "Marys Seacole" feels disjointed in execution.
Sofi Tukker's brilliantly-executed sophomore album, "WET TENNIS," is a pure rush of endorphins.
Sex-ed and spilled secrets spiral into scandal in Studio's powerful world premiere production of "John Proctor Is the Villain."
It's a mad, mad, mad, mad world in Marvel's gruesome superhero adventure "Doctor Strange in the Multiverse of Madness."
Girlfriends unite for a restoring, queer-positive road trip in Round House's moving "it's not a trip it's a journey."