'Broken Hearts Club' finds Syd at her most intimate and vulnerable, and at the top of her game as a songwriter.
Jerrod Carmichael's HBO Max comedy special Rothaniel is a frank, funny masterpiece in the imperfect art of coming out onstage.
The bright, bustling Broadway tour of "Mean Girls" makes for a better comedy than as a showcase for song and dance.
Gay country singer Orville Peck gets a little wilder and a lot more real on his latest album, 'Bronco.'
Michael Bay's gun-crazy actioner "Ambulance" is loud, dumb, and feels interminably long, but at least it's mostly coherent.
Warmly witty and chillingly tense, Mosaic's world premiere of "Private" astutely imagines an all-too-possible future.
Working in harmony, a talented cast uplifts and inspires in the World Premiere musical "Grace" at Ford's Theatre.
Walt Disco is something truly special, as the band blurs genres and torches the rulebook on its dazzling debut album.
With her new album Crash, Charli XCX makes it clear her urge to experiment and innovate is as strong as ever.
HBO Max's "Minx" bets big on cocks of all sizes in its saga of feminism and full-frontal at an erotic magazine for women.
John Cameron Mitchell and Kate McKinnon have a roar with 'Joe vs. Carole,' but the series offers little of substance.
The Baltimore-based duo Beach House shines on "Once Twice Melody," a vivid and elegiac double album
Not every Foo Fighter survives the band's devilishly fun horror flick "Studio 666," but they all go down rockin'.
Troye Sivan stars in a self-conscious queer coming-of-age story wrapped in a disjointed health scare drama.
Eighties synthpop royalty Tears For Fears surprises with a charismatic, indulgent new album