Ridley Scott's late-coming sequel "Gladiator II" stakes few claims to necessity, but the action epic definitely entertains.
Cynthia Erivo's impassioned performance is the most real thing in the artificial Oz of Jon M. Chu's CGI-heavy "Wicked"
Darren Criss leads a brand new Broadway musical romance about the fickle nature of machines and mortals.
The endearing ensemble of Mosaic's "The Art of Care" delivers a frank, graceful, and refreshing expression of care and empathy.
John Leguizamo and Luna Lauren Velez lead a family on the verge of a nervous breakdown in Arena's "The Other Americans."
The documentary "Luther: Never Too Much" layers its comprehensive bio of Luther Vandross with an astute history of R&B.
A musical, a crime thriller, a trans romance that never mentions the word trans, "Emilia Pérez" is its own special creation.
A handful of well-staged frights aren't enough to breathe life into Keegan's plodding "The Woman in Black"
Sean Baker's "Anora" spins a savvily subversive Cinderella story featuring Mikey Madison's glowing performance in the title role.
Thornton Wilder's classic American play, with a stellar cast led by Jim Parsons, digs deep and touches the soul.
Packed with strong performances, The Folger's "Romeo + Juliet" is a buzzy, smart interpretation of this oft-told tale.
A dramatic London import, The Hills of California, about shattered dreams drifts to Broadway with potency and poignancy.
Matthew Broderick is a crowd-pleaser in "Babbitt," but don't expect the play's takeaways to fill more than an index card.
Sebastian Stan captures the gestalt of Trump's ego, ambition, and bluster in Ali Abbasi's biting biopic "The Apprentice."
Thought-provoking and inventively staged, Spooky Action's fantastical fable "Cracking Zeus" still feels flat.