All posts tagged "Reviews"
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‘Twisters’ Offers Tempestuous Weather and Tepid Love (Review)
Glen Powell rides the whirlwind as the best thing in "Twisters," a storm-chasing sequel only mildly as thrilling as the original.
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‘American Psycho’ is a Bloody Good Time (Review)
It's murder on the dance floor, and all over the stage, in Monumental's delightfully demented "American Psycho."
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‘The Colored Museum’ Speaks Truth with Lacerating Wit (Review)
Studio Theatre revives George C. Wolfe's pungent satire "The Colored Museum" in a hilarious new production.
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‘Is God Is’ Serves Up Unconventional Revenge (Review)
Constellation's "Is God Is" blends metaphor with blood-soaked violence in an offbeat, sometimes clunky revenge tale.
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‘Thelma’: One Bad Grandmutha on a Mission (Review)
June Squibb is a feisty grandmother hunting the scam artists who robbed her in the satisfying caper-comedy "Thelma."
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Step Afrika! Pays Swaggering Tribute to Jacob Lawrence (Review)
Step Afrika! stomps up a storm with grace and precision in the uplifting epic "The Migration" at Arena Stage.
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‘Postcards from Ihatov’ is an Amusing, Escapist Adventure (Review)
Bold ingenuity drives 1st Stage's "Postcards from Ihatov," a transporting visual play that doesn't fully gel.
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The Montréal-Based ‘Solo’ Gives Good Drag (Review)
The Montréal set gay romantic drama "Solo" is a poignant -- if predictable -- tale of two performers in love.
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‘Queer Planet’s’ Animals Are So Gay (Review)
Narrated by Andrew Rannells, Peacock's "Queer Planet" serves up a saucy global search for queerness in the wild.
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How Disco Got Its Groove On (Review)
"Disco: Soundtrack of a Revolution" captures the rise, fall, and rebirth of disco from all the right angles.
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‘Backspot’ Leans into Laidback, Slice-of-Life Storytelling (Review)
The queer cheerleader drama "Backspot" nails the vibe of suburban teen life all too well with its low-stakes character study.
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A Richly Rewarding “Where the Mountain Meets the Sea” (Review)
Gorgeous musical moments mark the moving story of an immigrant father and gay son in "Where the Mountain Meets the Sea."
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‘Turandot’ is Almost, But Not Quite, Fabulous (Review)
The Washington National Opera's "Turandot" creates a new ending for the Puccini masterwork, but the production feels lacking.
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Folger’s ‘Metamorphoses’ Is As Good As Gold (Review)
The Folger's "Metamorphoses" charts a fantastic voyage through myth and time, and in brilliantly engaging company.
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Thai Choreographer Jitti Chompee Pushes Boundaries
Thai choreographer Jitti Chompee joins IN Series to tell the tale of Vietnam veterans' homecoming in "The Return of Ulysses."
