Camelot tells the story of the ill-fated love triangle between King Arthur, his queen, Guenevere, and his first knight, Lancelot
Camelot is an intriguing, well-acted philosophical drama inflamed by lust and betrayal. (Pity about those songs, though.)
"Twelfth Night," "Hooded, Or Being Black for Dummies" and "Fun Home" among other winners
A skillfully depicted production of Beckett's enigmatic tragicomedy
Heather Raffo's "Noura" has a wealth of ideas, but suffers from too much telling and not enough showing
Michael Urie and Ryan Spahn talk candidly about their nine-year relationship and the challenges of being out in Hollywood
Michael Urie commands the stage in Michael Kahn's deeply elegant, daring production of "Hamlet"
Our Critics André Hereford and Kate Wingfield pick their 5 best D.C.-area stage productions of 2017
Heath Saunders offers "a slightly bro-y Loki" as Feste the fool in Twelfth Night
Shakespeare Theatre's Twelfth Night is a "true original"
The key to understanding playwright Harold Pinter is to approach his plays like the puzzles they are
Shakespeare Theatre's "The Lover" and "The Collection" offer Pinter at his best
Othello's Faran Tahir promises a fresh take on Shakespeare's timely drama of jealousy, bigotry, and violence
The School For Lies is a rom-com for wordsmiths and wig lovers
Hemingway fans will appreciate the faithfulness of The Select, but for everyone else it's a bit of a slog