It's a shame the Washington National Opera didn't end its season with the brooding intensity of the memorable Iphigénie en Tauride instead of the determined...
With Placido Domingo singing his last role as general director of the Washington National Opera, it's hard not to take the somber – at times...
An austere production, perhaps appropriate to tough economic times both at the Washington National Opera and at large, Verdi's Un Ballo in Maschera is more...
Truth be told, most comic operas are funnier in theory than in reality. The buffo, over-rouged in a teetering wig, capers about the stage and,...
Those of you raised on Looney Tunes might find it impossible to listen to Figaro's aria ''Largo al factotum'' from Rossini's Barber of Seville without...
As one familiar with England's wild and windy Norfolk coast, there is much that resonates in the Washington National Opera's production of Benjamin Britten's Peter...
With the Jumbotron extravaganza barely behind us, one must wonder, just a little, why the WNO did not chose this production of Bizet's The Pearl...
As anyone with a pulse knows, Hollywood -- both the A and the B list -- continues to outrage the arbiters of good taste with...
If you are a giggler or not immersed to the point of humorlessness in the traditions, quirky and otherwise, of opera, be strongly advised to...
When serving up poignancy, there cannot be contrivance unless it is intended. In any other form, its presence will dull and deflate the impact of...
In its final two productions before the winter break, the Washington National Opera gives us a fascinating compare and contrast in its scheduling of Mozart's...
''Don Giovanni is sort of a personification of the sex drive,'' says John Pascoe, director and designer of the new production of Mozart's classic, Don...