All posts tagged "woolly mammoth theatre company"
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Stage Review: “Botticelli in the Fire” at Woolly Mammoth
Woolly's "Botticelli in the Fire" offers both too much and too little in reimagining the Renaissance painter
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Stage Review: Woolly Mammoth’s “Underground Railroad Game”
Woolly Mammoth Theatre's latest gives bold, moving voice to the issues of the day
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Review: Danai Gurira’s “Familiar” at Woolly Mammoth
Familiar brings a unique voice and genuine humor to a relatable issue
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Bravura Performances: DC’s Best Stage Productions of 2017
Our Critics André Hereford and Kate Wingfield pick their 5 best D.C.-area stage productions of 2017
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Review: Woolly Mammoth’s The Arsonists
"The Arsonists" is a provocative, humorous allegory for our modern political times
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Hir Story: Malic White on explosive dramedy “Hir,” gender identity and inclusive theater
When Malic White heard Woolly Mammoth was producing Hir, they absolutely had to be in it
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Review: “Hir” at Woolly Mammoth
Taylor Mac's Hir is an important treatment of gender identity, but it sometimes lacks nuance
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Living Just Enough: Pike St. at Woolly Mammoth (Review)
Nilaja Sun gives a virtuoso performance that brings a powerful story to vivid life.
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Storm Troopers: Baby Screams Miracle at Woolly Mammoth (Review)
Woolly Mammoth's atmospheric production of Clare Barron's stark examination of faith yields less than blessed results
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Spotlight: Second City’s Black Side of the Moon
Opens Saturday, Nov. 12, at Woolly Mammoth
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Mike Daisey: Trumped Up
Mike Daisey brings his exhilarating monologue back to Woolly Mammoth for a final pre-election round
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Kiss at Woolly Mammoth (review)
Guillermo Calderon turns Syria from ubiquitous headline into something more urgent and human
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Jen Silverman’s “Collective Rage: A Play in Five Boops” (review)
Collective Rage is just plain boring
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Trumped Up: Mike Daisey’s “The Trump Card”
Mike Daisey attempts to explain the unexpected, confusing rise of Donald Trump in his latest monologue at Woolly Mammoth Theatre
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Color Coded: An Octoroon (review)
"An Octoroon" is a brave, chaotic, wonderfully-acted play, but it lacks intellectual cogency
