Madonna’s Rebel Heart Tour (first night) – Photo: Kevin Mazur for WireImage/Getty
“I still believe in love — even if Barack Obama didn’t come to my show,” Madonna teased near the end of Saturday night’s concert at the Verizon Center. “Maybe I’m too provocative.” Like all her tours, Rebel Heart had its fair share of provocation, chiefly through repeated sacrilegious references to God and Catholic iconography.
But that’s always been Madonna’s cross to bear (and her bread and butter). This time out it was confined to the opening numbers. If you could look past it, as well as her overuse of war and violent imagery (Madonna is seemingly forever fighting someone, from God and Gaga to Guy and the media), you probably left charmed by the evening.
The Rebel Heart Tour finds Madonna at her happiest and most personable, and also in her best voice. In past tours she seemed to be performing on auto-pilot, but not on Saturday.
Edgy and sassy and unapologetic, Madonna once again proved her predominance in pop performance. It doesn’t matter if you don’t like her new album, even though it accounted for nearly half of the two-hour set. The truth is, few others working in pop today put on such a compelling and sensory-rich, top-notch theatrical production from beginning to end. Madonna makes her concerts feel like celebrations.
Near the concert’s end, Madonna settled, with a guitar, on a raised platform and sang the French classic, “La Vie En Rose” — which she dedicated to Obama — as if she were a bona fide chanteuse. “Everybody sing along!” she cooed playfully. She didn’t need the audience assist, as she perfectly conveyed the emotions of the song. It was just one example of how significantly Madonna’s musicality has improved over the years, even if her music has not.
A Manhattan jury convicted three men of murder for drugging two gay bar patrons as part of an elaborate robbery scheme, leading to their deaths.
The three men -- 37-year-old Jayqwan Hamilton, 32-year-old Jacob Barroso, and 36-year-old Robert DeMaio -- were also convicted of robbery and conspiracy for the drugging scheme.
Prosecutors alleged that the trio, along with other accomplices, would lurk outside Manhattan bars near closing time, hoping to encounter patrons -- primarily young men -- who were intoxicated after a night of drinking.
After chatting up their victims, the men would drug them with a fentanyl-laced cocktail and wait until they were incapacitated. The men would then steal victims' wallets and use facial recognition technology on their smartphones to gain access to bank accounts, which were then drained of money. They used those funds, as well as the victims' credit cards, to purchase various items, including liquor, sneakers, and designer clothes and accessories.
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